There was something almost poetic about the way this concert unfolded.

With temperatures hovering in the 70s and the final days of summer beginning to creep in, The Romantics, Christopher Cross and Toto brought a night of smooth grooves, soaring melodies and classic rock hits to Morton Amphitheater in Kansas City. It was the kind of evening that evoked images of sailing into a summer sunset — neon colors across the sky, a cool breeze coming off the water and a soundtrack playing in the background that has defined summertime for generations.

The concert also felt like a fitting bookend to the inaugural season at Morton Amphitheater. With the venue roughly three-quarters full, fans gathered to enjoy nearly four hours of music from three legendary acts whose songs have been part of the soundtrack of summer for nearly 50 years.

The Romantics got the night started with a burst of New Wave energy. Hits like “Talking in Your Sleep” and “What I Like About You” immediately had the crowd on its feet, dancing and applauding. Their set was short, sweet and energetic, delivering exactly what you’d want from an opening act: recognizable songs, plenty of enthusiasm and a crowd that was ready for more.

Then came Christopher Cross, and honestly, he was the surprise of the night.

At 75 years old, Cross still possesses an incredibly smooth voice and an impressive command of the guitar. His falsetto floated effortlessly through the cool summer air as he delivered songs like “Sailing,” “All Right” and “Ride Like the Wind.”

There was something almost surreal about hearing those songs on a cool August night. “Sailing” in particular felt like the perfect soundtrack to the evening, as though the entire amphitheater had been transported onto a yacht drifting toward the horizon.

The reception Cross received was far greater than I anticipated. His hour-long set seemed to fly by, and by the end, it was clear that his music still carries an emotional weight that hasn’t diminished with time. If there was one performance that exceeded expectations, it was this one.

Then it was time for Toto.

The rock heavyweights brought with them the kind of musicianship that is becoming increasingly rare. This is a band built around extraordinary songwriting and players who seem almost incapable of making a mistake.

From yacht-rock classics like “Rosanna” and “I’ll Be Over You” to some of their deeper material, Toto owned the stage for roughly 90 minutes. There were moments when the set dragged a little, particularly with multiple instrumental solos, extended jam sessions and even a roughly five-minute van introduction that seemed to test the patience of some in the crowd.

But Toto eventually found another gear.

When the band launched into “Hold the Line” and “Africa,” the audience was right back on its feet, singing along to every word.

Founding guitarist Steve Lukather remains an absolute force. His guitar playing was one of the highlights of the evening, while Joseph Williams handled vocal duties with a powerhouse voice that hasn’t lost its edge. With two keyboardists, two percussionists and a collection of elite musicians on stage, the sound was almost unfathomably tight and clear.

And perhaps that’s what made this concert work so well.

These aren’t simply songs from another era. They’re songs that have lived with us.

They’ve been playing in cars with the windows down, at backyard barbecues, on boats, at summer parties and through countless warm nights for decades. Hearing them together on a cool August evening made it impossible not to feel a little melancholy about summer coming to an end.

Morton Amphitheater’s inaugural season is nearing its finish, and this concert felt like the perfect soundtrack for that moment. The music of The Romantics, Christopher Cross and Toto carried the crowd through one more summer night, reminding us that some songs don’t just take us back to a particular time — they take us back to a particular feeling.

And on this night, that feeling was summer.

A summer sunset.

A cool breeze.

A few hours of great music.

And the realization that, even after all these years, these songs can still make us dream.

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By Clint Switzer

Full-time sports fan, part-time contributor to society. Starcade Media co-founder, podcast host, filmmaker and writer.